Jane Harper builds on the promise of her debut novel
Harper’s debut novel ,’The Dry‘, was one of my personal books of the year last year, and in fact I still sell it quite regularly to customers seeking recommendations. I was absolutely delighted ,then, to receive a proof copy of her new novel,‘Force of Nature‘, from LittleBrown.
The plot is fairly straightforward , five female colleagues take part in a team-building weekend in the forests north of Melbourne. Three days later and several hours behind schedule four of them finally struggle back to the base camp, dehydrated, panicked and battered. The fifth one – Alice Russell, unpopular with the others – walked out of the camp one night and hasn’t been seen since.
Is her disappearance linked to the serial killer who had made the area his hunting ground twenty years earlier, or is it the result of the bullying, anger and resentment that permeates the group? Or is it less than a coincidence that the woman who is missing is an informant for Federal Police Agent Aaron Falk, the officer investigating her employers for money laundering?
In ‘The Dry‘ Harper used binary narratives – one historical, one contemporary – to artfully unravel a single story. She repeats this formula in ‘Force of Nature’ with equal success, the only difference being that in this instance the ‘historical’ events preceded the contemporary events by a few days, rather than decades.
One of the outstanding qualities of Harper’s writing is her character development. She delivers convincing and well-realised personalities who manage to be separate and distinct from each other without falling into charicature-like stereotypes. The new book makes the most of this particular skill, building one of the narrative lines from the alternating perspectives of the remaining four women of the group, and using it to steer the story in different ways unique to each character.
This is a beautiful example of Harper’s defining quality as a writer: the ability to carry a simple, uncomplicated storyline with masterful writing and composition. The way she utilises the voices of her characters: the careful, almost throw-away manner she drops in suggestions that could as easily be red-herrings as critical plot devices. With perfect pacing that builds exponentially to a dramatic, whirling climax Harper unravels a gripping tale.
Two books in an she has already made it onto my ‘favourite authors’ list. I shall be reserving space on my bookshelves for all her future books.