Brilliant idea fro helping kids find new reading material
Can be downloaded from here
Brilliant idea fro helping kids find new reading material
Can be downloaded from here
A family of French mice own a little Bistro famous for it’s soup. One day when the Papa Mouse is out buying ingredients, including the secret ingredient that makes his soup so famous, an important critic arrives and demands the soup!
What will the seven brothers do? The don’t have the secret ingredient! Will the day be saved or will their reputation go down the drain, along with a second-rate soup? Read on, and find out!
Only the French can mix rodents and food and make it seem like a good thing 🙂
I picked this up through NetGalley. Short version: I struggled with it.
I had hoped it would be an enjoyable, easy, and amusing read. I love the art-work but the text just fell flat. I can see where the jokes are supposed to be, where the humour should be but it just wasn’t coming across.
I suspect that this is a collection of work based on the things actual kids have said, and had I witnessed any of them in real life I probably would have found them hilarious.
I find my own kids hysterical, and I am clearly the funniest person on the planet, but other people’s kids and their parents’ funny stories rarely do it for me.
What can I say? Humour is subjective and water is wet. Other people may love this, or it may all have got lost in translation.
I’m not a big YA reader, but you can definitely sell me a book with a cover, and Pam Sym’s Thornhill is a good example. Although I didn’t actually buy it (it arrived in the staff room as part of the appraisal batch we received in advance of the Waterstone’s Childrens’ Book Award) it was the cover that pulled me in. Charmingly dark and Gothic with a moleskin-feel, and black-edged pages, I wanted to read it just so that I could touch it.*
This is not a complex book, it’s not an original story but it is beautifully and originally delivered. I read it in a matter of hours, helped by the form of the binary narratives.
The story revolves around the lives of two lonely girls, Mary and Ella. Mary is an orphan, and Ella the only child of a mostly-absent, widowed father. Mary’s somewhat more complex narrative is delivered in a series of diary entries, whilst the simpler tale of Ella is depicted in Sym’s cleverly constructed, and beautiful black and white illustrations.
Their stories converge when Ella and her father move into a house over-looking the old orphanage (Thornhill), and Ella starts seeing a strange girl in the over-run, and fenced off grounds of the building.
There is definite homage paid to Francis Hodgson Burnett’s The Secret Garden which not only provides clear inspiration but is actually cited as a favourite book for both girls. Mary, isolated from her peers by selective mutism, finds expression in the making of puppets which she models on characters from her favourite books. As we intersect with her story she has just begun to fashion the characters from Burnett’s book. The two girls’ interest in each other grows to nascent friendship when Ella finds and repairs one of the puppets that had been left broken and lost in an enclosed garden in the grounds of Thornhill.
I really enjoyed this book. I felt for both girls, and felt the frustration of any parent at the poor choices made by the attendant adults in the tale, but ultimately it is a story about friendship, and how somewhere there is a friend for everyone. Though – again as a parent – I have some reservations about the conclusion as a cure for loneliness. I’m also left with the impression that there may have been another direction this book was originally taking. There are details in the story that suggested to me a different conclusion, or even another character emerging, and when that didn’t happen the attribution for certain events didn’t really ring true. That said I doubt if it is obvious enough for most of the target audience to either notice or worry about.
Overall, definitely worth the read.
*I’m a bookseller, fondling books is one of the perks. If you think that’s weird you should be in a bookshop when two or more of us are stood around together sniffing copies of a new book and comparing it to other fragrances we have known.
By now you will have read a number of (probably contradictory) reviews for this book, which will probably have given you quite a lot of detailed (and probably contradictory) information about the book.
So here’s a very brief answer and overview to help you if you are still wrestling with the question “Should I buy this book, should I read this book, will I be left wishing for those hours of my life back ?”
Well, it’s a doddle to read. It’s actually quite interesting to read. It’s not going to tell you any more outrageous stories about Trump than you have already heard. But it will confirm them, and it will add texture to some. He really didn’t expect to win, he really was just on another self-promo binge.
All of that doesn’t mean the book doesn’t hold surprises. I had no idea Ivanka and Jared are DEMOCRATS (!!??). Oops! I guess I just gave that surprise away…but it’s worth reading about the chaos that’s causing in a White House voted in to place by hard core Republicans. Steve Bannon really is the sad little, alt-right man-child you always thought he was, and not the towering power-house of a political tactician that he accidentally appeared as for a moment or two.
And childishness. So much childishness from so many purportedly adult people. Most of my sticky-notes mark points where the degree of infantile behaviour was so bad that it actually stood out from the day-to-day sulking and tantrums. It quite simply has to be the most insane government a western democracy has ever hosted. Then there’s Trump’s clear belief that the role of POTUS is actually that of an El Presidente-style, junta-leading, banana republic tyrant whose sole purpose is his own aggrandisement and pocket-lining. Like I said at the start – you actually couldn’t make this shit up.
But none of this is revelatory or extraordinary enough to warrant the hardback price, so my ultimate advice – wait until it’s in paperback.
I’m a huge fan of Cosy Crime, I cut my grown-up reading teeth on Agatha Christie and Dorothy L Sayers, so it should be no surprise that I’m a big fan of the British Library’s inspired decision to republish lost Golden Age novels.
Fifty-one re-issues in and I’m still stunned at the number of authors who had stellar careers as crime writers, were fully inducted members of the Detection Club, and had publication lists to rival Christie’s but who, within a few years of their deaths, had just vanished from the pantheon classic crime novelists.
Such a writer was E.C.R.Lorac, author of Bats In The Belfry. In his introduction Martin Edwards describes the pseudonymous Lorac (real name Edith Caroline Rivett) as enjoying a “low-key career spanning more than a quarter of a century.” It also produced a catalogue of over seventy novels, yet, cosy crime fan that I am I had never heard of her until her book turned up on my work intranet.
Bats, British Library’s inaugural Crime Classic for 2018, is also the first of Lorac’s novels to be given the British Library treatment. It couldn’t have happened to a better book! One of the dangers of republishing books that have disappeared in the mists of time, at least if you are republishing them for the mass market, is that some of them will prove to have been ‘lost’ with good cause. Not that the writing need be poor or the plotting weak, but there are social aspects that can be critical to the development or fundamental premise of the story that change over the course of half a century. When that happens there is a danger that the reader will at best be disgruntled with a puzzle they were unlikely to be able to solve because they didn’t understand the clues they were being given, or, at worst, that the whole premise will seem beyond ludicrous to modern readers. Of the twenty or so BLCC’s I have read only one has fallen into the latter category, and whilst there have been one or two which were a bit plodding thanks to such issues they have largely been a pleasure to read, and I have been able to joyfully pit my wits against the authors’ intrinsic challenge to solve the mystery before the denouement.
Bats in the Belfry most definitely falls into this class of Crime Classic, so much so that it’s a surprise to find from Edwards that it was a bit of a non-starter when it was first published in 1937.
A failing writer, his actress wife, his ward and a selection of friends are collected one evening following the funeral of the writer’s cousin. Shortly thereafter the writer himself has vanished, his suitcase and passport left in a darkly sinister studio known variously as The Belfry, and The Morgue. The story is as dark and twisty as any you could hope for from a member of the Detection Club, and it plays nicely on themes of the time. Broken marriages, financially emasculated men, and the requisite ‘strange foreign man’ all appear, and even aarchaeology gets a look in. As the main characters sit and incautiously discuss ways to bump off someone and hide the body there is brief verbal tussle over the usefulness – and even existence of – dene holes, ancient subterranean storage areas that provided writers of the time with endless possibilities, most notably in Sayers’ The Nine Tailors. Lorac’s plotting is flawless and deceptively simplistic, and she leads you back and forth from suspect to suspect. She is brutally unsympathetic to her characters, and her writing bundles you along until you finally reach the conclusion, to discover how good you are at detecting. Or not.
One hundred years ago today women finally won the right to vote in the UK. Here is some of the reading I shall be doing over the next few weeks to remind myself of the struggle that brought about that most important of changes, and how there is still progress to be made.
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